15 March - 19 May 2019
Location: McHenry Library, 3rd Floor Gallery
Education and the Avant Garde: How Fluxus Artists Shaped the Arts at UC Santa Cruz explores how UC Santa Cruz students and faculty in the late 1960s took inspiration from avant-garde artists as the fledgling campus debated the shape of arts education. A spirit of experimentation and participation, as championed by artists of the Fluxus movement, influenced a number of campus endeavors during this period. This exhibit uses documents, artifacts, and printed works to reveal stories about this transformational creative moment in campus history, including the founding of College Five, the creation of a futuristic comic book-influenced production of Shakespeare’s Julius Caesar, and the creation of an ambitious and collaborative year-long experience in which students and visiting artists worked alongside faculty to define the future of arts on campus.
Special Collections & Archives thanks Ruth Solomon, Deena Pewtherer, James Gunderson, Peter Coha, and all the UC Santa Cruz students who participated in the University's “modest experiment in participatory education” in 1967-68. Their contributions and stories made this exhibit possible.
18 April - 19 May 2019
Location: McHenry Library, 3rd Floor
Curated by the organizers of Norman O. Brown: Into the Future, a conference occurring May 17th and 18th at Page Smith Library, Cowell College, this exhibit presents a selection of documents and photographs from Norman O. Brown's papers held in Special Collections & Archives.
About the conference:
From poetics to politics, theology to pedagogy, utopia to apocalypse: scholars from around the country will meet to engage Brown’s long shadow. Amidst the landscapes he traversed incessantly, we can gauge the importance of Norman O. Brown for the 21st century. Learn more at the History of Consciousness site.
20 March - 17 May 2019
Location: Special Collections Reading Room
Curated by undergraduates in The Art of the Book (a History of Art and Visual Culture course taught by Elisabeth Remak-Honnef), this exhibit examines the history of iconic medieval manuscripts alongside explorations of modern artists' reworkings of structural, thematic, or historical themes within these medieval works.
LOCATION: Dead Central, on the main level of McHenry Library
Visit the Digital Exhibit created by co-curator Gabriel Saloman Mindel
The Library’s newest exhibit to feature the Grateful Dead Archive is Put Your Gold Money Where Your Love Is, Baby: Counterculture, Capitalism, and the Grateful Dead. It explores how the band invented, improvised, redefined, and pioneered business practices that revealed new ways of thinking about work, about being in business, and about the relationship between creators and their communities. It draws on the newly processed business records of the band.
About Put Your Gold Money Where Your Love Is, Baby:
This exhibit was made possible through a generous grant from the Brittingham Family Foundation.
Curated by: Jessica Pigza, Alix Norton, and Gabriel Saloman Mindel
With contributions by: Eric Arvizu, Thomas Bergan, Sean Concannon, and Andy Smith
With special thanks to: The Garcia Family; Eileen Law; Alessia Cecchet, CART Fellow; Marcus Thayer and Ryan Dzialo, Library Operations; Kristy Golubiewski-Davis, Digital Scholarship Commons; Joop Rubens and Linda Hunt, Library Development; all staff and student assistants in Special Collections & Archives; and Elizabeth Cowell, University Librarian
Location: Special Collections & Archives Reading Room
McHenry Library, 3rd Floor
The University Library’s Special Collections & Archives at UC Santa Cruz includes approximately 500 movable books, from commercially produced works to inventive handmade artists’ books. Pop Up! Movable Books & Art features a selection from this collection, including a presentation of work by M.C. Escher, a terrifying tale from Stephen King, and the story of the Tour de France, as well as two works exploring women’s legacies from the Library’s significant artists’ books collection.
Mechanical devices like liftable flaps and revolving wheels were built into scientific and scholarly books as early as the 13th century, but it wasn't until the late nineteenth century, and the explosion of inexpensive color printing technologies, that movable books found their way into the hands of masses of children and adults. Readers today continue to love these books that move, for the hands-on marvel of a simple machine built of folded paper and glue hidden within the flat covers of a book. Artists working in book arts today incorporate moving parts and mechanical structures into their work as well, inventing structures to further push the boundaries of what a book can do.
About this exhibit:
Pop Up! is co-curated by Luisa Haddad and Rebecca Rapp.
Special Collections & Archives is grateful to Ann Gibb and Sandor Nagyszalanczy, whose donated pop-up book collection has made this exhibit possible.
15 August 2018 - 24 February 2019
What inspired Americans to embrace the promise of space travel during the first half of the 20th century? What part did creators of what became known as science fiction, and science fiction-themed comics, play in promoting the inventions that enabled us to look to worlds and futures beyond our own? Writing the Space Age considers these questions as it explores books, magazines, and comics that were created and consumed during the rise of the Space Age, with a special focus on how author Robert Heinlein sparked the public’s imagination and inspired scientists, writers, and fans to invent the futures they imagined.
Robert Heinlein, named the first Science Fiction Writers Grand Master in 1974, was responsible bringing science fiction—or, as he often called it, speculative fiction—to mainstream audiences. His novels and stories appealed to both kids and adults, and his best-selling tales were turned into films, television shows, and spin-off comics. Heinlein’s work, always built upon a firm scientific foundation, has inspired countless people to pursue space research in both private and public sectors.
Heinlein’s work also shed light on the power of science fiction to explore and question complex social and cultural issues. Science fiction in comic book form has, over its history, evolved as well, moving from simple tales inspired by western adventures to nuanced stories exploring both the promise and the anxieties of Space Age living. Science fiction comic books continue to inspire readers, writers, and artists to push the boundaries of how this unique storytelling form can inspire us to keep imagining what our futures might include.
While visiting this exhibit, be sure to pick up a copy of the University Library's free comic book, published especially for this exhibit: Rocketship Lunatic, a reimagining of a classic novel by Heinlein (Rocketship Galileo) as an adventure tale in which Heinlein himself participates in a rocket launch!
About this exhibit:
Writing the Space Age features materials from two collections held in Special Collections & Archives at UC Santa Cruz: the Robert A. and Virginia G. Heinlein Papers, and the James Gunderson and Peter Coha Comic Book Collection.
Special Collections & Archives is grateful to James Gunderson for his guidance and vision in the creation of Writing the Space Age.
Love on Haight: The Grateful Dead and San Francisco in 1967
6 June 2017 - 1 May 2018
Love on Haight: the Grateful Dead and San Francisco in 1967, highlighted materials from multiple collections housed in the Library’s Special Collections & Archives. The exhibit featured posters, photography and ephemera from the Grateful Dead Archive and photographs from Ruth-Marion Baruch’s 1967 Haight-Ashbury series. Additionally, the exhibit included a selection from the Library’s exceptionally rich holdings in alternative publications from this time period: a variety of newspapers and magazines, comic books, literary journals and broadsides as well as political tracts. The audiovisual elements in this exhibit included films about the Summer of Love, snippets of performances and of course, music.
Open Through July 31, 2018
Two graduate student Fellows in the Center for Archival Research and Training (CART) have curated Inquiring into Other Minds: The Cultivation of Experimental Music in the Bay Area and Beyond, an exhibit showcasing the organizational records of Other Minds, a Bay Area music non-profit devoted to promoting new and experimental music from around the world. CART Fellows Madison Heying and Jay Arms are both Ph.D. candidates in Cultural Musicology and were involved in organizing, describing, and preserving the organizational records of Other Minds, which include early administrative files, planning documentation for the annual OM Festival and other events, photographs, marketing materials, scores, correspondence, and artists’ biographical files.
The archival collection is now available for research in Special Collections and Archives. View the collection guide here.
Turned Texts: Alterations by Artists, Readers, and Nature
14 December 2017 - 29 April 2018
Location: 3rd Floor Gallery, McHenry Library
Notes in margins. An old volume repurposed in ways never anticipated by its original creator. An artist’s response to, and re-envisioning of, a novel’s physical form. Ghostly traces left behind by plants and insects whose lives intersected with a text. Just as we are transformed every day by texts that inspire new knowledge, these materials themselves are, in turn, changed through their encounters with both human and nonhuman actors. Turned Texts explored the unique stories, the questions, and the creative possibilities of altered texts.
Selected work by students in Porter College’s Fall 2017 Core Course: Composition, Creative Inquiry, and the Arts was featured in Turned Texts. Special Collections & Archives was proud to collaborate with Porter College in this course by introducing students to the world of artists’ books, in anticipation of the students creating their own unique altered book projects.
Picturing Nature: Celebrating Science Illustration @ UC Santa Cruz
24 January - 12 March 2018
Location: Special Collections & Archives Reading Room
McHenry Library, 3rd Floor
Picturing Nature: Celebrating Science Illustration @ UCSC highlights sources for exploring the history and art of the illustrated natural world. This exhibit includes hand drawn flower studies by world renowned plant ecologist and educator Jean Langenheim when she was a young girl, artists’ books, field journals, seventeenth-century botanical treatises, plant identification guides, and books that explore the long history of plants as medicines. In addition, the newest publication from UC Santa Cruz’s Regional History Project, Teaching Is New Every Day: An Oral History of Science Illustration, will be available for reading at the exhibit.
30 November - 14 December 2017
Chicano Latino Research Center (CLRC) celebrated its 25th anniversary with the opening of its archive, with a student-curated exhibit featuring materials from the center's archival records, and with the launch of a digital project, Nuestras Historias, which documents the critical work done by this important research center. Read more about it at this article on the Nuestras Historias CLRC archive.
June 15 - October 6, 2017
Located on the 3rd floor outside of Special Collections
This year, the Center for Archival Research and Training (CART) fellows processed four collections from the University Archives: the Raymond F. Dasmann papers, the Shakespeare Santa Cruz records, the records of the Feminist Studies Department at UCSC, and the UCSC Women of Color Research Cluster records. While we were organizing these records and making them available for research, questions about institutional engagement began to emerge: What makes a "public" university? Whom does a public university serve? In exploring these questions, CART fellows considered the influence of these archives across three spheres of public dialogue: the university community, the city of Santa Cruz and state of California, and across the globe. In influencing thesecommunities, the university also transformed itself. This exhibit highlights the contributions these people and organizations made to the university and beyond, and shows ways in which they innovated in their own communities of practice, engaging UCSC students, faculty, and staff along the way.
This exhibit was curated by the 2016-2017 fellows of the Center for Archival Research and Training: Alina Ivette Fernandez, Megan Martenyi, LuLing Osofsky, Alex Ullman, and Maggie Wander.
November 10, 2016 - May 1, 2017
Located on the 3rd and 4th floors of McHenry Library
The Black Panther Party was officially formed in 1966, shortly after the creation of Marvel Comics Black Panther character. Fifty years later, two interconnected exhibits examine the role of women in the Party and the comic.
Curators explore the role of women in the Party through photographs from the Pirkle Jones and Ruth-Marion Baruch collection, ephemera, and original posters by Emory Douglas. About 40 comics have been selected to explore the portrayal of the Black Panther character and African Americans in the second half of the twentieth century. The curators created a digital exhibit featuring extended analysis of these themes available here.
These exhibits have been curated by crystal am nelson, Cathy Thomas, and Kiran Garcha, PhD students at UC Santa Cruz.
Image: Mother and child, Free Huey Rally, De Fremery Park, Oakland, CA July 28, 1968. Ruth-Marion Baruch.